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Section 1: to perpetuate the memory and spirit of the men and women who achieved American independence, by the acquisition and protection of historical spots and the erection of monuments; by the encouragement of historical research in relation to the revolution and the publication of its results; by the preservation of documents and relics, and of the records of the individual services of revolutionary soldiers and patriots; and by the promotion of celebrations of all patriotic anniversaries; section 2: to carry out the injunction of Washington in his farewell address to the American people, “to promote, as an object of primary importance, institutions for the general diffusion of knowledge,” thus developing an enlightened public opinion, and affording to young and old such advantages as shall develop in them the largest capacity for performing the duties of American citizens; section 3: to cherish, maintain and extend the institutions of american freedom; to foster true patriotism and love of country, and to aid in securing for mankind all the blessings of liberty.

Founded in 2016, Sound Aloud exists to equip this generation with the tools to find their voice (identity), release their sound (purpose), and live it ALOUD (unashamed); becoming the sound of freedom to this world. Our heart as a ministry is to use the Creative Arts (fine, performing, visual), holistic health, and mentoring/outreach programs to unleash the treasure that is buried just beneath the surface of our “generationals”. We do this to spark the creative, and vivid imaginations that need motivation and training - the type of training that prepares them to become confident young men and women, and the hope of our future. Our programs and services create positive outlets, give support, nurture dreams, send a message of hope, deal with issues that this generation face, bring cultural awareness, cross religious and cultural boundaries, provide discipleship, help build confidence, build strong self-esteem, character, and create teamwork and connection.

The National Constitution Center is the first and only institution in America established by Congress to “disseminate information about the United States Constitution on a non-partisan basis in order to increase the awareness and understanding of the Constitution among the American people.” The Constitution Center brings the United States Constitution to life by hosting interactive exhibitions and constitutional conversations and inspires active citizenship by celebrating the American constitutional tradition. Our non-partisan mission is best expressed in our three goals: to serve the nation and the world as the Museum of We the People, a national Headquarters for Civic Education, and America’s Town Hall. We illuminate the constitutional debates that affect the lives of all Americans by hosting constitutional conversations on Independence Mall in Philadelphia and across a range of media platforms, and we inspire active citizenship by celebrating the American constitutional tradition. Our three goals can be summarized in three words: Visit. Learn. Debate. As the Museum of We the People, the Constitution Center features hundreds of interactive exhibits, engaging theatrical performances, and original documents of freedom. As America’s town hall, the National Constitution Center hosts constitutional debates across a range of broadcast and digital media platforms. As a national and international center for civic education, the Constitution Center offers cutting edge constitutional seminars, discussions, course materials, and interactive and digital resources for students of all ages.

The mission of Jazz at Lincoln Center is to entertain, enrich and expand a global community for Jazz through performance, education and advocacy. We believe Jazz is a metaphor for Democracy. Because jazz is improvisational, it celebrates personal freedom and encourages individual expression. Because jazz is swinging, it dedicates that freedom to finding and maintaining common ground with others. Because jazz is rooted in the blues, it inspires us to face adversity with persistent optimism.From our first downbeat as a summer concert series at Lincoln Center in 1987, to the fully orchestrated achievement of opening the world's first venue designed specifically for jazz in 2004, we have celebrated this music and these landmarks with an ever-growing audience of jazz fans from around the world.Representing the totality of jazz music, Jazz at Lincoln Center's mission is carried out through four elements—educational, curatorial, archival, and ceremonial—capturing, in unparalleled scope, the full spectrum of the jazz experience.In the mid-1980s, Lincoln Center, Inc. was looking to expand its programming efforts to attract new and younger audiences, and to fill its halls during the summer months when resident companies were performing elsewhere. Long-time jazz enthusiasts on the Lincoln Center campus and on the Lincoln Center Board recognized the need for America's music to be represented, and lobbied to include jazz in the organization's offerings. After four summers of successful Classical Jazz concerts, Jazz at Lincoln Center (JALC) became an official department of Lincoln Center in 1991. During its first year, JALC produced concerts throughout New York City, including Brooklyn and Harlem. By the second year, JALC had its own radio series on National Public Radio, and the Lincoln Center Jazz Orchestra (now known as the Jazz at Lincoln Center Orchestra) began touring, and recording and selling CDs. By its fourth year, the program reached international audiences with performances in Hong Kong and, the following year, in France, Austria, Italy, Turkey, Norway, Spain, England, Germany and Finland. In July 1996, JALC was inducted as the first new constituent of Lincoln Center since The School of American Ballet joined in 1987, laying the groundwork for the building of a performance facility designed specifically for the sound, function and feeling of jazz.“The whole space is dedicated to the feeling of swing, which is a feeling of extreme coordination," explained Jazz at Lincoln Center's Managing and Artistic Director Wynton Marsalis of his vision for the new home of jazz, or the “House of Swing." “Everything is integrated: the relationship between one space and another, the relationship between the audience and the musicians, is one fluid motion, because that's how our music is." Under Marsalis's direction, JALC sought out world-renowned architect Rafael Viñoly and a team of acoustic engineers to create Frederick P. Rose Hall, the world's first performance, education and broadcast facility devoted to jazz, in New York City. As the centerpiece of a $131 million capital campaign drive, the 100,000-square-foot facility opened in fall 2004 and features three concert and performance spaces (Rose Theater, The Appel Room and Dizzy's Club Coca-Cola) engineered for the warmth and clarity of the sound of jazz.

The Muslim American Leadership Alliance (MALA) is a 501(c)3 non-profit civil rights organization committed to promoting individual freedom and celebrating Muslim-American heritage.

The National WWII Museum tells the story of the American experience in the war that changed the world—why it was fought, how it was won, and what it means today—so that all generations will understand the price of freedom and be inspired by what they learn.

THE 100TH BOMB GROUP FOUNDATION IS DEDICATED TO THE PRESERVATION AND DISSEMINATION OF FIRST-HAND HISTORICAL ACCOUNTS OF THE MEN, MISSIONS, AND MACHINES THAT FOUGHT IN THE SKIES OVER EUROPE DURING WWII. THE FOUNDATION'S EXTENSIVE WEBSITE, ARCHIVES, MUSEUM EXHIBITS, PUBLICATIONS AND ARTIFACTS ASSOCIATED WITH THIS FAMOUS B-17 BOMBER UNIT PROVIDE A WORLDWIDE PLATFORM TO EDUCATE GENERATIONS, KEEPING ALIVE THE BRAVERY AND SACRIFICE WHICH ENSURE OUR FREEDOM STILL TODAY.

The Black Rock Coalition was founded in 1985 by guitarist Vernon Reid, journalist Greg Tate and producer Konda Mason in reaction to the constrictions that the commercial music industry places on Black artists. A collective of artists, writers, producers, publicists, activists and music fans assembled to maximize exposure and provide resources for Black artists who defy convention. To date, the BRC is the only national nonprofit organization dedicated to the complete creative freedom of Black artists.

Preserve the Heritage…Educate the FutureThe Army Historical Foundation seeks to educate Americans to fully appreciate the sacrifices that generations of American Soldiers have made to safeguard the freedoms of this nation.The Foundation is actively engaged in supporting the National Museum of the United States Army by carrying out a major $200 million Capital Campaign. In 2000, the Secretary of the Army designated the Foundation as its primary partner in the building of the National Museum.Besides supporting the Capital Campaign, AHF funding helps to refurbish historical Army buildings, acquire and conserve Army historical art and artifacts, support Army history educational programs, research, and publication of historical materials on the American soldier, and provide support and counsel to private and governmental organizations committed to the same goals as the Foundation.

We are a grassroots community where Jews, Muslims, and all are welcome. We build relationships to stand against hate and violence through shared values and social action. What we share is more powerful than what divides us: PEACE We envision a city, country, and world where no one is feared, marginalized, hated, attacked, and killed because of who they are. We challenge prejudice, bigotry, racism, Islamophobia, anti-Semitism, discrimination, and oppression. We stand in solidarity with our neighbors by speaking out against hateful incitement, interpersonal and institutional violence. LEARNING We encourage curiosity and education for transformation. We reflect on our identities by celebrating Muslim and Jewish traditions. We commit to building respectful relationships to gain knowledge. GIVING BACK We mobilize our community to make an impact through service and volunteering. We build on the momentum of social justice and civil rights movements. We believe in freedom, justice, and dignity for all, including the most disadvantaged.